Culture
Milan, 2026
This Salone del Mobile, the house showed in two places. A stand at the fair built around Autentica Fibra di Legno Beltrami. A bed carrying Byron’s hand, shown within Le Grand Tour at La Bottega Collective on Via della Spiga.
April 2026
Beltrami stand at Salone del Mobile 2026, Milan
Hangers with the Beltrami logo in the wardrobe
At the Fair
This Salone del Mobile, Beltrami took one conviction into two rooms. At the fair, the house built its stand around a single subject: Autentica Fibra di Legno Beltrami, the birch-derived fibre the house developed.
The set placed the fibre in the rooms it is made for, a bed, a bath, the textiles of daily living, held in the tonal restraint of the house signature.
Embroidered cuff detail on a Beltrami textile
Bed dressed in a sheet embroidered with Byron's hand, Le Grand Tour, Via della Spiga
via della spiga
On Via della Spiga, in the Milanese home of La Bottega Collective, the house showed a single piece within Le Grand Tour. The focus narrowed to one bed, dressed in a sheet embroidered with a line from Byron.
I live not in myself, but I become Portion of that around me.
The words are from Childe Harold’s Pilgrimage, Canto III, the poem that carried a generation into Italy and made the journey a passage of the self. The house drew the text from Byron’s own hand, reproduced from the manuscript held at the New York Public Library, so the poet’s writing and his signature lie across the cloth as he set them down.
Byron's handwriting from Childe Harold's Pilgrimage, embroidered on cloth
Detail of a hotel room with a Beltrami bathrobe in the foreground
Byron became a portion of the landscape he moved through. This cloth begins in a landscape too, the birch forests where the fibre is drawn. What surrounds us is, in the end, what we are made from.
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